Showing posts with label struts gallery. Show all posts
Showing posts with label struts gallery. Show all posts

Aug 20, 2025

Spotlight on Struts Gallery Artist in Residence - Charlie Star

 


"This project asks members of the Black community to share their lived sonic experience. Together, we will ask..."

"While participating in the Open Studios artist residency at Struts Gallery in Sackville, New Brunswick, I am looking to connect with Black community members from a range of backgrounds and lived experiences in the region. I will ask to record the audio of our conversation to create samples to add to a mixed audio collage that pieces together field recordings, experimental sounds and music. The work will be presented to the public at the end of August.​"

source:  Home - Margins In Resonance


more here with Clinton Davis of CHMA FM Mount Allison University [a black activist in town]:

Exploring identity through sound: Inside Charlie Star’s residency at Struts Art Gallery » CHMA


and here:  HOME | Struts Gallery | Sackville NB


With discussions around culture, identity, race, and inclusion the history of Canada that is complex and evolving.. artist brings people together for deeper discussions.. and I like that.. its productive and helpful... who else knew that just for discussing the book shown below in a meeting, not on the air, Wendy Mesley was "let go" from the CBC after many years of reporting?  So.. I support the Struts Gallery by cash donations.. its something I think is valuable here.. I think more discussions on race and identity help us all to get along and be wise and informed.. shutting people up for their opinions and their lived experiences serves no one.. it is backwards and destructive.. Canada is a country of many many races and religions in 2025.. we have to figure out how to get along and respect differences.


More here:  Wendy Mesley to retire from CBC | CBC News


Would the above 1971 book be available at the university's campus library in 2025? You tell me. Read here:

White niggers of America; the precocious autobiography of a Quebec "terrorist" : Vallières, Pierre. cn : Free Download, Borrow, and Streaming : Internet Archive




Apr 18, 2025

"Influences" .. coming up next month with Struts Gallery, 7 Lorne Street, Sackville New Brunswick

 


Coming up next month at local Struts Gallery...

CALL FOR PARTICIPATION | Swap Meet : "Influences"


"Tuesday, May 6, 7pm


Is there an artist who has left an indelible mark on your work? We don’t mean a literal mark because that would make them either a collaborator or vandal. Rather, is there an artist whose practice has been influential to yours? Perhaps an artist whose work has moved you to the point that you would like to share it with other people? They might be an artist you grew up with, a mentor, or someone you’ve never met. Well, it’s your chance to talk about them and their influence on your practice for 5-10 minutes, and share what you find is so inspiring about their work with an audience of other artists. 


If you’re inspired to present at SWAP MEET, contact Simone at admin@strutsgallery.ca 


And if you're not inspired present, just come and listen to people!

 

Swap Meet is a bi-monthly gathering initiated by Struts Gallery members. Each Swap Meet will see informal and brief presentations by artists in the community on a given theme, followed by questions from the audience. Part professional development, part community social, Swap Meet’s themes are member sourced. "

Mar 20, 2025

How to Financially Support the Local Struts Gallery ? Buy a Membership

 


More here:  MEMBERSHIP | Struts Gallery




More here:  Infrastructure and funding challenges ahead for Tantramar galleries and museums » CHMA, Voice of the Marshes

“The more of that we do, the better our vision becomes,” says Henderson. “The more we can articulate our needs, the more accurate our costing is, the better chance we have of obtaining one of these federal infrastructure grants.”

Significant impact

And when it comes down to it, Henderson says, what Struts brings to the table in Sackville and the wider New Brunswick arts community is worth the investment.

“We have a 40-plus year history of programming in this town and [are] significantly recognized by our peers,” says Henderson. “We have very stable core funding from the Canada Council for the Arts and from the province, and all that money is peer assessed. So on a national scale, we’re very highly regarded.”




Sep 28, 2024

Struts Gallery 7 Lorne Street Presents "One Hand Washes The Other" September 27 - November 30 with Joshua Schwebel

 

One Hand Washes the Other - art card with Joshua Schwebel
Exhibiting this month through to November 30th

Website:  http://strutsgallery.ca

I donated $10 for a souvenir this week
at Struts to support their organization.
Its a low-key place run by Paul Henderson & team.
There are no pub socials.. 
but there might be if fundraising 
ever went in that direction.
Support local...
peruse and schmooze.. etc.


Gregory Elgstrand art card was found amongst this "The Rubber Stamp Project" ... "Tantramar City"

More with Greg @ Bohart Bohart | Port Moody BC | Facebook

with Greg @ Artsconnect here:  Membership (artsconnect.ing)

and also here:

Why a Coquitlam man hopes to resurrect an old arts organization - Tri-City News (tricitynews.com)



Jan 10, 2024

Notice of Call for Submissions Media Arts Production Fund - Struts Gallery, 7 Lorne Street, Sackville N.B.


Photography by Indie Media Eastcoast "Bells in the Forest"



See their social media sites for the local artist-run gallery "Struts Gallery" at 7 Lorne Street here:

 Struts Gallery (@strutsgallery) • Instagram photos and videos

Struts Gallery | Sackville NB | Facebook

Drop in and get oriented at Struts Media Arts Centre! Touch our gear at the...
Media Arts Equipment Soirée
Tuesday, January 23, Drop in between 7-9pm
Struts Gallery
Ever wanted to use our equipment but didn’t know how? Now is your opportunity to learn! Get to know new equipment and reacquaint yourself with our older gear at our Media Arts Equipment Soirée. Get your hands on our cameras and cinema lenses, play around with our LED lights, and demo our microphones. Ask questions about our audio recording and film production equipment, computers, media players, projectors, generators, speakers, mixers or anything else in our extensive media arts equipment holdings -> https://www.strutsgallery.ca/equipment-rental
Our Production Manager Lucas Morneau will be around to answer all your questions.


ATLANTIC CANADA ARTISTS, APPLY!
Deadline: January 15, 2024
Struts Gallery is excited to announce the Media Arts Production Fund. This annual program is designed to help support the production of media arts projects by artists at all career levels.
The Media Arts Production Fund is a regional fund open to artists living in Atlantic Canada and supports the creation of media arts projects including video, audio, XR, film, new media, performance, digital, electronics, 3D printing, and time-based art. Commercial music videos and music recordings are not eligible for the production fund.
Successful applicants will receive:
💥 A one-time grant of up to $2000, which can be used towards materials and production expenses, equipment purchases, and/or living expenses;
💥 A $1000 in-house production credit, including equipment rental, software use, facilities use, and support and training from Struts staff (maximum of 20 hours, $30/hour);
💥 Short-term accommodations, available between Jan 15—March 31, 2024, Nov-15—Dec 14, 2024 at the Struts apartments may be available upon request.

Jun 29, 2023

Struts Gallery Event - Artist from Calgary Sarah Jane "Free Workshop Make a Candle" June 30th - All Are Welcome!


 I enjoyed a chat the other evening with Sarah Jane...she has beautiful eyes and is very lovely...


WORKSHOP

Make A Candle, Give A Candle
with Sarah Houle
Friday, June 30 | 1–3pm
Struts Gallery | Free
Open to all ages
Help from a guardian required for children under 9
Come by Struts Gallery and learn how to make hand dipped candles with Open Studio Artist in Residence Sarah Houle. In the Indigenous tradition of gifting an object when learning a new skill, workshop participants will make two candles and are encouraged to gift one to someone in their life. Participants will also come away with step-by-step guidelines so that they can explore candle making in their home kitchens.
RSVP by June 27 admin@strutsgallery.ca with subject line “Candle Making”. Advance sign up is required so that we can stock materials.
Every workshop attendee will get a free Métis fry bread taco starting at noon as part of the regular Struts BBQ.
The workshop will be held outside of Struts, weather permitting.
If it’s inside, masks will be required

Link to Facebook here:



In other good news in Ontario this fall the return of "cursive writing skills" to the classroom for students... I like this.

Burgers on Fridays... All Summer.



Why this gallery is still promoting the face masks is my question... no one answers because everyone is still living in fear.. that's why this town is more like a cult most times.
[I'll just keep poking at the cult members.]



Oct 27, 2022

Struts Gallery, Owens Gallery, Crab Tree Auditorium, Purdy Crawford Centre locations for films with Sackville Cinematheque

 Fall 2022 Season

Sept 16: SHERLOCK JR. (Buster Keaton, 1924) Oct 15: THE WARRIORS (Walter Hill, 1979) Nov 19: DAYS OF HEAVEN (Terrence Malick, 1978) Dec 10: DRAGON INN (King Hu, 1967) All screenings in town at 7pm


Sackville Cinematheque (@Cine_Sack) / Twitter <<<------ local film nights with Struts Gallery

New to Sackville in 2018 - Dino Koutras is the local creator of this film organization and its programmer - he spoke with Erica at CHMA FM [ films are free screenings, and by donation pay what you can pay, no worries if you cannot pay anything ]

Sackville's film options expand as first season of Cinematheque kicks off tonight » CHMA 106.9 FM (chmafm.com)

Dino comes to us from Ottawa's Carleton University... Dino Koutras - Film Studies (carleton.ca)

There is mingling and refreshments at these events and it appears face masking is mandatory too.  

Thanks Dino for the cultural addition to town.  Dino hopes to grow the Cinematheque in Sackville.

Website:

Sackville Cinematheque


THE WARRIORS REUNION PANEL in 2021 at the Steel City Con with six of the film's actors

James Remar, Michael Beck, David Harris, Terry Michos, Dorsey Wright and Thomas Waites at this link:

THE WARRIORS Reunion Panel – Steel City Con August 2021 - YouTube




Jun 8, 2022

"Entitlement Class" Seeks Free Money Again... Why Do They Feel They Are Entitled To Anything?

 

"What's Not Happening?" 
Flag at Struts Gallery
7 Lorne Street, Sackville, NB.
 [where face masks are STILL needed?]


Real world news here:
False Gods, False Prophets, and Their False Religion of Eugenics (substack.com)


Bruce Wark reports locally here:

"During a joint presentation to Sackville Town Council last week, Paul Henderson and Emily Falvey argued that investments in arts and culture pay huge dividends."  Bruce Wark reports here:

Struts & Owens galleries call for more municipal investment in arts & culture | (warktimes.com)

“When a business thrives, you invest in it and a few people get richer,” Falvey [Owens] told council.

“When you invest in arts and culture, the entire community gets richer.”  Really?

I would like to call bullshit on Emily Falvey's claim at Owens Gallery.. no one is richer for having moochers around... the moochers are just happier they were able to game the system and receive entitlement dollars from the casino bosses.


Having been 'arbitrarily blocked' on Twitter by Owens Art Gallery in 2022 I feel their efforts do little for 'arts community building' and I have no affection for their institution; just the sense that they feel they are above everyone else and that they feel they add value to the lives of people in town; they actually don't. . . they create division and promote special interest groups ONLY.  Art is life and life is art.... they are misrepresenting their value to society and exaggerating the importance of their efforts .. why?  They are in truth no more valuable than me or anyone else creating culture in this town by way of sharing art, photography, stories.......  Do I head into Town Hall asking for money? Nope.  Most people do not grift money but for those who do they arrogantly always seem to feel they are special and entitled to free money above everyone else.. this is a problem in our society.  Its unfair.
There's no need to 'fund their brand of art' as Mount Allison University bank account has lots of $$.


Are "the arts" really worthy of funding?

Are they a charity? a business? What?

Have your say... I say they are neither a business nor a charity.

They are active in the realm of social engineering and I find that offensive and objectionable.  

Beauty is no longer the goal of the arts; manipulation is.  

Social justice is their m.o.  

If individuals wish to donate to their organizations by all means go ahead... and one of their 'talents' is writing grant money applications -- they are skilled at the grift.

I remain unimpressed with the grifting elitists in this town of entitled chattering class minions who live in a small cozy echo chamber.  I can say unequivocally they do not benefit me, they have no desire to 'serve' me or include me... so why would I support them?

Moreover, 'we are being ruled by charities'...

Babylon Beaver on Twitter: "Quite the rabbit hole.... https://t.co/bTI6oeLhrS https://t.co/r5FPBbJWw4 https://t.co/8biYlZ8qT0" / Twitter




Dec 1, 2021

Struts Gallery...... for an Evening of Holiday Fun [7 Lorne Street]

 


Struts Gallery Annual Holiday Members’ Show & Sale opens on Friday with an opening reception starting at 6pm at the Lorne Street gallery, where hot apple cider will be on offer outside.


The show promotes the work of Struts members near and far, and afterwards patrons are invited around the corner to the Black Duck, where Angela Thibodeau will be exhibiting recent works. 

*Proof of vaccination and masks are mandatory.


A Night of Art in Vaxx Compliant Sackville New Brunswick Culture ... just being 'good germans'...

An Open Letter to All 'Good Germans' - 21st Century Wire

Who is Alison Blunt?

Why should you care?

Read her words:


Alison Blunt
OffGuardian

A bandleader contacted me with regards to confirmed dates in an upcoming tour, asking as to whether I had taken the ‘vaccinations,’ explaining that, ‘the situation in Germany is starting to become “2G” (Geimpft & Genesen = ‘Vaccinated & Recovered’).’

If I am not intending to be injected then he said he would need to replace me. Clearly entirely ignorant of the human consequences of going along with the totalitarian circus and of the currently flagrant violations of the Nuremberg laws, he mentioned proudly amongst other things, his life-long position of being entirely uninterested in politics.

Here’s the reply I sent to him…

Dear Bandleader,

Thank you for your email about the upcoming invitations for our ensemble to perform in Germany and Austria in 2022.

I’m fully aware of the twists and turns of the screw, the attempt of total control of society through the imposition of medical martial law. I’ve been following its global course with shock but not huge surprise since the start of 2020.

I am fortunate to have been researching for many years and am therefore not at the mercy of propagandist mainstream news. I know how and where to check the sources of what is then spun into so-called news for the purpose of manipulating the people into obedience through brain-numbing terror.

There was no ‘corona crisis’ in reality.

What happened was a long-planned manipulation of the usual flu season which each year always, unfortunately, kills many of our elderly and vulnerable.

This manipulation was achieved by simply attributing their deaths to a new ‘pandemic.’ The so-called ‘tests’ for an alleged new killer virus were designed even before the virologists in Wuhan had computer-generated the assumed theoretical genome of the putative SARS-CoV-2 virus.

This assumed genome was created using what were deemed to be ‘likely’ nucleotide sequences based on previous data entered in Genbank.

The WHO/UN attempted a similar con with the Swine Flu in 2009. But, due to the observations and expertise of Dr Wolfgang Wodarg, (at that time a member of the German Bundestag and chairman of the Subcommittee on Health and vice-chairman of the Committee on Culture, Education and Science in the Parliamentary Assembly of the Council of Europe), the pandemic hoax was uncovered.

Devastatingly however, by the time the lies were finally clear for all to see, many people had been permanently damaged by the new jabs, manifesting various symptoms including narcolepsy.

Important to note that once the scam was uncovered, the ‘Swine Flu’ disappeared overnight from all of the mainstream media outlets.

In late Spring/early Summer 2020 mainstream news had to change from unending lies about ‘covid’ causing excess mortality (there wasn’t any), to soaring ‘cases’ of ‘covid’ – because excess deaths simply could not be found to continue the lies.

‘Cases’ means nothing more than people tested positive with a fraudulent and utterly meaningless test, but this was beyond most people’s understanding, since their brains were already turned off by the relentless gas-lighting and incoherent narratives they kept paying attention to from the mainstream media.

In 2009, after the Swine Flu fiasco, the WHO quietly changed the definition of pandemic so that such a thing could be declared even without any deaths.

Mainstream media has worked hand in hand with governments as the mouthpiece of propaganda in order to promote and maintain mass fear and hypnosis.

Thousands of world-renowned and expert voices from medical science have been silenced and smeared by the state-sponsored media in order to promote the idea that there is unanimous agreement about the whole virtual reality to which we have been subjected.

The new DNA/mRNA jabs are actively being trialled on people, people trusting these new injectables are taking part – like guinea-pigs, in a lab trial.

Despite all of it having been done openly in plain sight, many people seem to have overlooked this, and indeed many other facts that are freely available on the internet which would lead them to wonder whether there might be an agenda to the mass lying we’ve been subjected to since, well, forever.

I have not and certainly will not start taking fake tests for a non-existent novel virus – tests in which the number of amplification cycles is dialled up or down in the laboratories according to the whims of the governments in order to give the impression that there is a rampaging disease amongst the populations.

I will certainly not be taking any of the new experimental medical injectables that are all still in trials until 2023, that have only received approval on non-existent ‘emergency’ grounds for a non-existent declared pandemic, and that have long since far surpassed the abilities of previous so-called traditional vaccines to maim and kill.

I’m certainly not prepared to ‘show my papers.’ I have a sovereign right to live freely and breathe freely. I am no threat to anyone except those suffering from cognitive dissonance and mass hypnosis who yowl in pain when they are presented with facts that don’t correspond to their mass media-fuelled virtual reality, online existence.

All who go along with the regime perpetuate it. Anyone complying with the demands is an enabler.

It’s true that Russian roulette gives you a 1 in 6 chance of being killed right away, certainly a far higher likelihood than the current “mRNA” vaccine roulette. However, with Russian roulette, IF it doesn’t kill you or maim you, it loses all its capacity to do so until the next time you choose to play.

In the game of vaccine roulette played with these apparently high-lethality ‘vaccines’ (at least potentially, or in part, intended for population reduction) death or increasingly apparent iatrogenic symptoms may strike immediately, or it may strike a few hours, days, weeks, months or years later.

Volunteering to take part in the trials of these new medical interventions can be compared to agreeing to have a loaded gun to your head for the rest of your life. I for one would opt in preference for Russian roulette.

Musicians aren’t exempt from thinking and checking facts for themselves. Since when did being an artist involve or require throwing in the towel regarding fundamental human responsibilities that belong to us all?

In many other professions one would be surprised and perhaps a little concerned if an individual changed how they conducted their work activities, based on their research and thinking about issues in life. One would not expect a plumber to rethink his approach to fixing leaky pipes or broken boilers on hearing about the plight of Palestinians, for example.

But for an artist, coming to grips with, for example, the complexity of historical, colonial assaults on Palestine might lead to the creation of new art.

The hand-to-brow, ‘I’m an artist’ abdication from functioning in this world is in my opinion as good a reason as any other not to ever take their art seriously. After all, what is their art expressing if they have no understanding of, participation in or comment on the challenges of life and in society?

When artists profess to generally not being interested in researching what is going on in the world yet persist in believing the mainstream news/political rhetoric without question, how can they claim to be ‘unpolitical’ and, more to the point, what do they bring to their art?

In past times, artists sat together discussing philosophy, politics, poetry and all manner of subjects and how these related to both the act of creating art and how art can communicate ideas. For decades it has seemed to me that many artists are under the impression that they have some kind of priestly calling to not research or think critically about current or ongoing issues, and to churn out products or play gigs and tours as if it’s their entire raison d’être.

I have long felt that grappling with the truth of matters and researching all kinds of issues in this world is an essential aspect of developing as a human being and that these activities are crucial to forming and cultivating the artist’s voice. It is not about being ‘political.’

That the current political systems are a total distraction to polarise and confuse people is glaringly obvious, especially since 2020. Identity is first and foremost as a living being; political allegiances are blinkers that prevent us from seeing clearly.

If the un-jabbed are not permitted to travel or perform in March 2022, I would like you to consider the profound implications of replacing me in the ensemble and playing the concerts in the tour. You (and the ensemble) would be enabling and supporting the current fascistic system that is driving towards a 2-tier society.

You mention that if I don’t take the jab/s and they are required by the venues and festival directors then you will be forced to search for someone to replace me in the group in order to play the dates. Have you so completely assimilated the propaganda and virtual reality?

Have you even asked the venue and festival directors about their position on this fascistic segregation promoting a 2-tier society? Or have you been only too happy to secure the much sought-after invitations, hoping that the whole band will just follow the ludicrous, tyrannical rules like the Good Germans in the 1930’s. Living in a blinkered world, pretending and communicating to the audiences that none of this matters….transporting yourself and the audiences to the ‘other worlds’ that live music offers, what a lie to live that way.

People who don’t want to be part of this huge medical experiment have been losing jobs, losing livelihoods, losing touch with family members and friends and now we see governments locking up the un-jabbed. If you choose to be jabbed, then I assume you consider yourself to be protected against the covids? So why would I need to be jabbed? To protect you? Good grief, the insanity and the lack of science is beyond what space and time affords me here. It’s abundantly clear that massive division is the intention – division within families, relationships and society in general. Going along with it all signals that you are absolutely fine with that.

I for one, look forward to all the ever-widening cracks in the narrative eventually bringing down the whole house of cards. I look forward to seeing those responsible for crimes against humanity such as have never been seen before receiving their just desserts.

Those who have ‘just followed orders’ and ‘rules’ in order to keep their careers and societal standings have caused and continue to cause unimaginable and needless suffering all around the world will also receive their dues.

On discovering music improvisation I started to understand sovereignty. Without a score, without a leader and with nothing materially external to follow, this kind of music-making can have a profound impact on life, both on and off stage. Freedom and responsibility go hand in hand in this music-making – as in art, as in life.

Making music whilst listening to the sound of the river, the wind in the trees and the bird songs is far preferable to playing with musicians who essentially consider that accepting gig invitations which entail unnecessary and forced medical interventions for the ensemble (and I assume for the audiences who attend the concerts) to be ethically and morally acceptable.

Even if I never set foot on a concert stage again because my artist colleagues are perfectly happy to comply with all the rules, to not think critically or stand up against this encroaching global totalitarianism and medical martial law, my skills as an artist will continue to inform my life and interactions with others.

Sincerely,

Alison